Kudos to Debra! An honor that is truly deserved!
Richard
On Fri, May 18, 2018 at 11:08 AM, Chris Iweha chris.iweha@morgan.edu
wrote:
Congratulations Debra.
Chris Iweha, MLS, MLIS, MSc.
Spectrum Scholar
Associate Director/Public Services (ADPS)
Earl S Richardson Library
Morgan State University
Baltimore, Maryland
Phone: 443-885-3478
Cell: 443-600-8499
"Until there is a departure from the little things, there will be no
discovery of greater things."
"Never give up on a dream just because of the time it will take to
accomplish it. The time will pass anyway.” - Earl Nightingale
On Fri, May 18, 2018 at 11:03 AM, Fayoyin, MaryJo <
fayoyinm@savannahstate.edu> wrote:
Congratulation Debra!
MJ
Mary Jo Fayoyin
Dean, Library Services
Asst. Professor
Asa H. Gordon Library
Savannah State University
Savannah, Ga 31404
912 358-4329
"Using Students' Voices to Improve the Library Experience"
From: HBCU-LibAdmin hbcu-libadmin-bounces@lists.hbculibraries.org on
behalf of Sandra Phoenix sphoenix@hbculibraries.org
Sent: Friday, May 18, 2018 6:51 AM
To: hbcu-libadmin@lists.hbculibraries.org
Cc: Hbcu-lib@lists.hbculibraries.org; Karen Jefferson
Subject: DEBRA HESS NORRIS CHOSEN FOR UD'S HIGHEST FACULTY HONOR
Colleagues,
Congrats to HBCU Library Alliance Board Member Debbie Hess Norris!
University of Delaware News
May 15, 2018
DEBRA HESS NORRIS CHOSEN FOR UD'S HIGHEST FACULTY HONOR
World-renowned conservator is 2018 Alison Award winner
Don’t put grandma in the attic.
This request applies to your flesh-and-blood, three-dimensional grandma,
of course. But when University of Delaware Professor Debra Hess Norris
makes that the title of one of her workshops, she is referring to the
grandma in your photographs. Don’t put her in the attic, where heat,
humidity, heavy boxes, squirrels and other perils will threaten her future.
These are words of wisdom from the Unidel Henry Francis du Pont Chair in
Fine Arts, a world-renowned expert in photograph preservation and
conservation whose counsel and assistance are requested often by some of
the greatest museums on the planet. But even more, these are words that
express her devotion to people — wherever she encounters them — and the
things they treasure.
Norris has helped to safeguard a wide array of important materials, from
glass plate negatives documenting Western exploration, platinum photographs
by Gertrude Käsebier, Polaroid portraits by Andy Warhol and at-risk
collections in museums, libraries, archives and historic sites worldwide,
even an early photographic album of The Beatles, of whom she is as zealous
a devotee as any on record. But she is just as committed to treating the charred,
water-damaged photographs
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to her from a family that had lost three young boys and their grandmother
in a house fire in rural Ohio.
For her global influence, her ability to inspire excellence in student
conservators and her commitment to the ideals of the University of
Delaware, which she has served as professor, department chair, vice provost
and now trustee since joining the faculty in 1982, Norris has been named
the 2018 winner of the Francis Alison Faculty Award, the University’s
highest competitive honor for faculty.
“Simply put, Norris’ impact on the field and in training the future
generations of conservators is stunning,” said George Watson, dean of the College
of Arts and Sciences
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in his letter of nomination.
Developing the discipline
Norris
https://urldefense.proofpoint.com/v2/url?u=https-3A__na01.safelinks.protection.outlook.com_-3Furl-3Dhttps-253A-252F-252Fwww.artcons.udel.edu-252Ffaculty-252Fud-2Dfaculty-252Fdhnorris-26data-3D01-257C01-257Cfayoyinm-2540savannahstate.edu-257C3a082458fa284b60b8c908d5bcad8116-257C1400c49cd2484077a6a793501c7899d5-257C1-26sdata-3DINvx9CEw64JB2fSMorTeVb52pwNyal8Oadr-252BLa-252Ba2Ng-253D-26reserved-3D0&d=DwMF-g&c=0CCt47_3RbNABITTvFzZbA&r=cR_yJjueIGtlgknlQDYThBbjA1IXzVL47YhlbaK0T3A&m=cnd0-eYsKGRqCA9Q3RSlWEGTfKLlXq3Gh4AYm8JEMsk&s=rrje26fm-M3sMBXHbouLhBV9IZbQYdNSQWEfT7dvlPc&e= earned
her bachelor’s and master’s degrees at UD, studying art history, studio
art, chemistry and art conservation, then invested her skill and passion in
developing, training and nurturing a worldwide cadre of photograph
conservators.
She has been a forceful advocate for the necessity of ethical
consideration in all works of conservation, asking students and colleagues
to search for personal or institutional biases that may color the work and
distort the historic record. She sees honest, respectful collaboration as
key to recognizing and addressing such blind spots.
“How do we bring people from all cultures into the conversation in
developing best practices for the care of their own cultural material?
Debbie is at the forefront of these conversations,” Adrienne Lundgren, a
former student of Norris’ who now is senior photograph conservator at the
Library of Congress, wrote in a letter of endorsement.
This commitment to respect for other cultures and integrity in those
relationships is part of Norris’ lasting legacy in the field, many said,
and one of many reasons she is a trusted partner around the world.
“She is the ‘go-to’ resource for training in our field, with curricula
developed for students at all stages (from undergraduate to postdoctoral)
and for practicing professionals at all levels of knowledge and
achievement,” wrote Paul Messier of the Yale Institute for the Preservation
of Cultural Heritage.
William “Bro” Adams, former chairman of the National Endowment for the
Humanities
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said he learned early in his tenure at the NEH that Norris was considered
the leading authority on art conservation in the United States. That
prompted him to visit the program directed by Norris that links the
conservation work of the University with that of Winterthur Museum
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.
“The technical sophistication of the work was compelling, but I was
especially struck by the quality of Professor Norris’ relationship with her
students and by their enthusiasm for the work,” he wrote. “It was not hard
to see why the program at Delaware
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widely regarded as the best in the country, and it was not hard to see why
Professor Norris is held in such high regard as its leader.”
When he consulted with Norris to find meaningful ways for the United
States to strengthen cultural ties with Cuba, she went to the experts in
Cuba
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see what would be meaningful to them. New partnerships and projects emerged.
“Professor Norris led a delegation of Delaware graduate students and
faculty to Cuba to learn about the preservation challenges the Cubans face
with respect to their extraordinary art collections, including especially
the remarkable photographic records of Cuban culture held by various
cultural institutions in Havana,” he wrote.
Global connector
Letters describing Norris’ impact on conservation around the world
arrived from many high-profile national and international institutions,
including the J. Paul Getty Museum, the National Gallery of Art, the
Smithsonian Institute, the United States Department of State, the Museum of
Modern Art, the Mellon Foundation and the Royal Danish Academy of Fine Art,
to name a few.
Many letter writers were students — past and present — writing to express
their debt to Norris, who has taught more than half of the photograph
conservators in the United States.
“Most photograph conservators *worldwide *have, in some way, been
mentored by Professor Hess Norris,” wrote Shannon A. Brogdon-Grantham,
photograph and paper conservator at the Smithsonian.
That helps to streamline connections when they are most needed, said
Andrew Robb, head of special format conservation for the Library of
Congress and a 1994 graduate of the Winterthur/University of Delaware
Program in Art Conservation
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(WUDPAC).
“In my work assisting with the recovery of photographs after the Great
East Japan Earthquake of 2011, there was no faster way to establish my
credibility in the area of photograph conservation than to say I had been
her student,” Robb wrote.
She is known around the world not only because of her expertise, but also
because she readily goes where she is needed — to India, Colombia, South
Africa, Benin, Turkey, Lebanon, Israel, Iraq, Russia, to name just a few.
And she welcomes these contacts, whether they are requests for information
or guidance or invitations to speak, teach or assist.
Those face-to-face encounters help to build understanding and trust, even
in extremely difficult corners of the world.
“As a teacher, Ms. Norris has no equal,” Robb wrote. “Both encouraging
and demanding, she brings out the best in all her students, whatever their
abilities and knowledge. In particular she helps conservators to become
independent, to be able to complete complex and difficult tasks and to
exercise considered judgment…. Since the early 1980s Ms. Norris has
fostered our field from a tiny group of less than 10 people to an
international community of hundreds.”
Norris has taught hundreds of workshops around the world and across the
U.S. — and happily invests time in smaller groups and community
organizations, too. “Don’t Put Grandma In The Attic” is an example of a
talk she has given to community groups who just want to know how to keep
their family’s treasured photographs safe for future generations.
Service in partnership
Despite a full calendar and frequent travel, she routinely takes on extra
duty. She has served the University as an associate dean, vice provost of
graduate studies, as a member of strategic planning committees and search
committees and now represents the faculty on the Board of Trustees
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.
Does she ever say “No”?
“These opportunities are exciting,” she said. “You can’t spend too much
time thinking about how busy you are or asking how you are going to get all
these things done.”
So she typically says “Yes.”
“In doing so, you will meet and learn from inspiring people and create
new opportunities for our students, alumna, faculty, staff and others,” she
said.
She is an intentional connector, something of a network hub — introducing
this student to that conservator to that director to that foundation.
Because her views are respected and credible, she works to raise awareness
of needs, then helps raise the money and resources to meet them.
“My most rewarding projects are accomplished in partnership with others,”
she said. “Preservation projects benefit from multiple perspectives and
areas of expertise. No one can do it on their own. Empowering people to
lead is so important.”
With the support of the Andrew W. Mellon Foundation, for example, Norris
worked with the Getty Conservation Institute, the Metropolitan Museum of
Art and the Arab Image Foundation to strengthen photograph conservation
practice and awareness throughout the Middle East.
This network of organizations developed the Middle Eastern Photograph
Preservation Initiative
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the region that has trained more than 70 collection caretakers from Syria
to Iraq, Morocco to Bahrain.
This summer she will teach a workshop for photograph collections across
the United Kingdom and in October will teach in Beijing for caretakers of
collections in China.
Photographs provide natural bridges between people, Norris said, even
when they do not share language or other cultural ties.
“Weddings, family celebrations — everyone connects to those images,” she
said. “And I believe our work in preservation strengthens cultural
understanding and reconciliation. Photographs connect us in powerful ways.
They document history and celebrate humanity.”
From ‘Help!’ to hope
Because she is a Beatles aficionado, she often incorporates song titles
and lyrics in presentations she makes around the world—from “I’ve Just Seen
a Face” to “Help!”
A line of John Lennon’s lyrics from “Imagine”
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on a sterling silver bracelet she wears daily — a call to see beyond the
status quo to a world of peace and unity:
“You may say I’m a dreamer, but I’m not the only one.”
Peace and unity are not realities for many around the world. Restoring
traumatized cultures requires truth and justice, which can bring agonizing
history to the fore. Difficult conversations arise when artifacts and
images are encountered by those who lived their histories and still bear
the scars and the consequences.
“You have to be totally honest about your feelings and temperament,” she
said. “You can be in tears — and people connect to that, too.”
While building cultural bridges around the world, Norris has worked
vigorously to open doors and welcome those who might not otherwise have
gained entry to the field or even considered it as an option.
She led a consortium of national service organizations in the
Historically Black Colleges and Universities (HBCU) Photograph
Preservation Initiative
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addressing the endangered archival photo collections held at many of those
institutions, while also providing training and networking opportunities
for students and others at those schools.
“The expert letters in Norris’ dossier provide unequivocal praise for her
work in advancing the field of preservation studies with tireless energy
and dedication,” Watson said. “As her numerous high-profile publications
indicate, Norris works in easy collaboration with others, not only to
advance the field of photographic preservation, but also in the spirit of
mentoring others along the way.”
Ingrid Bogel, recently retired from her role as executive director of the
Conservation Center for Art and Historic Artifacts in Philadelphia, which
has conserved such items as Bruce Springsteen’s lyric notebooks, Frank
Lloyd Wright’s architectural drawings and other high-value art and
documents, ended her letter of endorsement with a note about Norris’ impact
on other professionals.
“It is not at all unusual to receive an email in the wee hours of the
morning regarding a creative solution to a conservation issue or an idea
for advocacy to a new audience,” Bogel wrote. “Her enthusiasm is infectious
and inspires others to do their best work, whether it be treating a work of
art, providing preservation assistance, reaching out to advocate on behalf
of endangered artifacts or responding to a cultural disaster…. She
represents the best of us in her humanity, her humility and her
selflessness.”
Those traits produce what is perhaps the most powerful result of
conservation work — the impact it has on those whose lives are represented
in the objects and images.
Ricky Harris expressed this as well as anyone when he encountered Norris’
generous and compassionate spirit a few years ago. It was a few days after
Christmas in 2014. Harris had just lost his mother and three sons in a fire
in rural Ohio. His best friend from high school, Michael Emmons, who was a
UD doctoral student in art conservation at the time, contacted Norris about
how to treat 200-plus photographs that had been rescued from the fire.
Norris invited Emmons to get the photographs to Winterthur, where she was
about to teach a “photo block” session of the Winterthur Art Conservation
training program. She incorporated Harris’ photographs in the block,
teaching students how to analyze and treat them. Soon afterward, the
restored photographs and digital copies were returned to Harris
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his family in Ohio.
“We’re pretty blown away by the fact that somebody wants to take interest
and care about this tiny little family,” Harris told a University writer
while the work was underway. “You tell them that me and my family, my whole
family -- we love them all.
“There’s no words to say how appreciative we are.”
There are no photographs to do that justice either.
Let the Francis Alison Award do the talking.
SANDRA M. PHOENIX
HBCU Library Alliance Executive Director
Atlanta University Center Robert W. Woodruff Library
111 James P. Brawley Drive SW
Atlanta, GA 30314
404-978-2118 (office)
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--
Richard Bradberry, Ph. D.
Director of Library Services
Earl S. Richardson Library-312
Morgan State University
1700 E. Cold Spring Lane
Baltimore, MD 21251
443.885.3488
443.885/8246 - Fax
richard.bradberry@morgan.edu